Yesterday Tash and I attended The Boroughs, which organisers said would be "a celebration of the culture, street art and music of New York." Originally scheduled to be at a warehouse on La Trobe Street, the venue was changed to Shed 4 in Docklands. Wilfred Jackal was finishing up their set when we arrived. Both Tash and I were a bit confused as we walked in. First problem was that they were only using part of the Shed, which didn't really make much sense. Their attempt at making it "New York" was to have some opened shipping containers around the floor, graffiti artists painting a wall (they were amateurs compared to a lot of the graffiti you see around Melbourne), some really bad attempts at performance art, and a small skate ramp for the skaters. It was a total fail.
Music-wise the bands really had nothing to do with New York either, but there was a good mix of different styles. The sound in the Shed was horrendous though, which was really apparent for the bands we have seen live before. I wouldn't mind hearing The Hello Morning in an intimate venue as their alt-country sound was so muddy in the venue. The Frowning Clouds played with a lot of energy and had a group of people dancing at the front of the stage. Bachelor of Arts was probably the closest to a New York sounding band, and Hot Little Hands played a good set of indie rock.
Miami Horror had everyone dancing and their single "Sometimes" got a big reaction from the crowd. Up next was Yves Klein Blue, who were fantastic as always. It was great to hear "Getting Wise," "Polka," and "Digital Love." The final act of the evening was Bertie Blackman, who was dressed in a monk's robe for most of the night. In her hour-long set she played the one song I know of hers, "Byrds of Prey," as well as covers of Phil Collins' "In The Air Tonight" and a Fleetwood Mac song. The funniest part of her set though was watching the Frowning Clouds boys with supersoakers running around side of stage and spraying the audience.