It's the tenth anniversary of the Gertrude Street Projection Festival, which has grown over the years to become a key cultural event in Melbourne each winter. Once again there were a wide variety of different projections displayed on the facades and alleyways along Gertrude Street.
Of the smaller wall projections I really liked Peter Waples-Crowe with Megan Evans piece Squatters & Savages which showed colonial occupation from both perspectives. Riza Manalo's Visitor III demonstrated the fluidity of physical movement, while Glynn Urquhart's Future Flesh Forms explored the interactions of technology and living tissue through 3D animation.
Once again this year the Atherton Gardens had different installations on display. Some of my favorites were Anne Truong and Dave Anderson's Light Cycles, Annie Edney's Moon Ball, Toggles Alternate Power Generator with its moving mobile and Prativa Thamang's Fall Into The Skies.
It took a week to get working, but there were also large scale projections on the Atherton Towers, this year on the Atherton Gardens side of the building. Susan Maco Forrester and Jody Haines' piece Future is Now! explored the voyages of ancestors and identity.
Other large scale building projections along Gertrude Street included Ash Coates' Mycolinguistics (Rubico-Sterolosis or Oneness) on the Gertrude Hotel and Amanda Morgan's If they build a wall, we can scale it on the Builders Arms.
Skunk Control had another amazing window display this year with Three / Four, which shows the now constantly lit warning sirens as we head to the end.
The Gertrude Street Projection Festival is on until Sunday, 30 July 2017.