It was very sad when The Good China announced they were calling it a day after six years together, so Mary and I were determined to make their farewell show last night at the Northcote Social Club. The first band for the evening was Rich Davies and The Little Devils, who played a set of alt-country songs along with a cover of Chris Isaak's "Wicked Game." Next up was art rock two piece The Stiffys, who may be my new favorite live act. A hilarious band with positive messages, both members were dressed in matching sailor suits. They played songs about champagne, being groovy boys and (not surprisingly) sex. The highlight of their set was when they got an audience member to ride a board on top of the crowd for "Boogie Boarding."
The Good China came out and launched into their newly released song "What You Learnt From The Self Help Section" (which contains the mantra "You won't die alone / You will find new love"). The crowd was really into every song from the start and sang and danced along to old favorites like "You Looked Better A Brunette," "If Pain Persists," "We Found 3 Whistles," and "No More Maps, No More Roads." There were even a couple new songs in the set, including the other new release from this week "Your Ancestors Were Dinosaurs." The group paid tribute to the band that inspired them to form with a cover of Arcade Fire's "Wake Up." It was also nice to hear older and rarer songs like "A Million Little Pieces" that haven't been played live in a while. I thought the band members did remarkably well to hold it together on stage, and many of them took turns telling little stories between songs throughout the evening.
For the encore they started with a cover of Jen Lekman's "Maple Leaves" and then we were all ready to hand clap during "All Nothing." Cara gave her farewell speech and thank yous before the last song of the night, which was the very appropriately titled "We Knew That We Had To Leave." The band had a group hug before taking their final bows and leaving the stage. It's so depressing when one of your favorite bands calls it quits, but at least we were able to attend this final show. All the best to each of the members of The Good China- you will be missed!
The annual Gertrude Street Projection Festival is currently on through this weekend, featuring a wide array of light projections on buildings and other objects throughout Gertrude Street in Fitzroy. Last night was the first time I had been, and it was great to walk down the street and discover the different projections. Here are a few of my favorites:
After checking out the Festival I walked up Brunswick Street to The Evelyn Hotel to catch The Good China play. They started their set with "No More Maps, No More Roads," which allowed for some hand clapping fun. We got to hear some of the new songs they have been working on as well as their recent single "You Looked Better A Brunette." Mit sang lead on an awesome cover of The Temper Trap's "Sweet Disposition" and they finished their 40 minute set with the appropriately titled "We Knew That We Had To Leave." It was good to see the Chinas live again and I am hopeful that their debut album isn't too far off.
Here's the video for "You Looked Better A Brunette" which was shot in Japan.
This afternoon I ventured out into the hot weather to see The Good China play as part of Johnny Rock & The Limits Sunday residency at The Workers Club in Fitzroy. The Chinas played a fairly even mix of old and new songs in their 45 minute set, including "If Pain Persists," "All Nothing," "We Found 3 Whistles" and "No More Maps, No More Roads." The newer stuff sounds good, and I have heard some of it live once or twice before. There was also some amusing banter in between songs, including a discussion of the movie Predator. Unfortunately I didn't have time to stay for the full bill, but it was nice to be in a cool, dark room for a bit listening to live music.
Another year is coming to a close which can only mean one thing- time for all those end of year top ten lists. Not to be left out, here are my top ten favorite songs for 2011 (aka songs that make me want to hit repeat after having just listened to them).
10. Slow Dancer "Leave It To Me" Slow Dancer is the solo project of Simon Okely from Oh Mercy. "Leave It To Me" is the first song he has put up online and I really love the laid back feel to Simon's music as well as his excellent guitar playing. Definitely one to watch for 2012.
9. The Good China "No More Maps, No More Roads"
2011 saw the return of The Good China to the Melbourne live scene after nearly a year's hiatus. The single "No More Maps, No More Roads" was a live favorite and has all the great hallmarks of a Good China track, including lots of hand claps.
8. Boy & Bear "Feeding Line"
It has been a monster year for Sydney's Boy & Bear, having won 5 ARIA awards for their debut album Moonfire. "Feeding Line" was the first single off the album, and signaled a new musical direction for the band from their previous EP.
7. The Harpoons "Keep You Around"
Another favorite band of mine that reemerged this year was The Harpoons. "Keep You Around" showcases Bec Rigby's soulful voice in this song about love with the great lyric "when you smiled at me I was a hopeless case." I am definitely looking forward to their debut album coming out in 2012.
6. Liam Finn "Don't Even Know Your Name"
This song was not a single but it's my favorite track off Liam Finn's latest album FOMO. "Don't Even Know Your Name" has a driving beat and an optimistic energy to it, and I absolutely love the chorus (which for some reason reminds me of "Panic" by The Smiths). Here's a live version of song, but do seek out the album track.
5. Brous "Streamers"
The first single off of Brous' self-titled debut EP, "Streamers" sounds like a song from a 1960s James Bond film. Sophia Brous' voice is quite amazing and I love how the first verse of this song keeps speeding up. There is a definite cinematic quality to her music and it will be interesting to see what she produces next.
4. Seeker Lover Keeper "Even Though I'm A Woman" Seeker Lover Keeper is the female Australian supergroup made up of Sarah Blasko, Sally Seltmann and Holly Throsby. One of the initial singles off of their self-titled debut album, "Even Though I'm A Woman" is a song about long distance love sung by Holly and written by Sally with some biting lyrics such as "I love you more when I'm missing you, it's why I'm always away." The song is a bit of an anthem for female independence.
3. Kimbra "Cameo Lover" Kimbra is originally from New Zealand but has been living in Melbourne the past few years. "Cameo Lover" come off of her debut album Vows and won her the 2011 Vanda and Young Songwriting Competition as well as an ARIA award for best female artist. I love the contrast between the verses and chorus of this song as well as its fantastic video.
2. Gotye "State Of The Art"
You may have thought that I would pick Gotye's biggest hit to date, but no, my favorite song off of his latest album Making Mirrors is "State Of The Art." Only Wally would write a song about his beloved Lowrey Cotillion organ. My favorite part of the song is when the bossa nova rhythm kicks in to the lyric "start the bossa nova beat and limbo from the living to the kitchen." The video animation by Rubber House is also exceptional.
1. Oh Mercy "Stay Please Stay"
My most played song of the year is Oh Mercy's "Stay Please Stay," the first single off their second album Great Barrier Grief. I absolutely adore the chorus of this song, especially Thomas Savage's beautiful jangly guitar. It also has a great closing lyric by Alexander with "what can I do with a love that gathers dust in a busy room?" An indie pop classic.
It has been almost a year since The Good China last played a show, so when Tash and I learned they would be returning to the live stage we had to be there. I headed out into the rain last night and got to Cherry Bar towards the end of The Harlots energetic set, with Tash arriving shortly after (driving down from Ballarat, such is her dedication).
The Good China still have eight members, but a new bass player. They started their set with a new song and then launched into "All Nothing," complete with hand clapping from various parts of the crowd. The set list was a mix of some pretty good sounding new numbers and old favorites like "If Pain Persists" and "We Found 3 Whistles." We also got to hear their new single "No More Maps, No More Roads," which was another favorite from previous gigs. It's so nice to have The Good China back on the Melbourne live scene and I look forward to catching them again soon.
This month The Good China are doing a Tuesday night residency at The Evelyn. Tash is such a hard core fan that she drove down from Ballarat to see them play. She came by and picked me up and then we headed to Brunswick Street. We ate dinner at Bimbo Deluxe, sharing our $4 pizzas and then indulging in the chocolate dessert pizza (kind of a pain au chocolat).
We arrived at The Evelyn for the start of the second support act Mercury White. The lead singer switched between keyboards and a keytar! Though hard to pinpoint, the band have a bit of an Irish rock sound to them and some songs reminded me of New York City band Black 47. They got a group of people up on stage with them to play percussion and sing along for "Sticks and Stones." It was an energetic set.
The Good China opened the evening with "No More Maps." There were a few issues they had to deal with this week, including a leaking roof and some of the band members having the flu. However, they persevered and put on a solid set of old and new songs. It was good to hear my favorite "If Pain Persists" and "Turn the Page." Each week the band are taking requests from fans for a cover song to perform at the each show. This week we got Arcade Fire's "Rebellion (Lies)," which was a fitting choice because Arcade Fire was one of the bands that inspired them to form The Good China two years ago. They finished their set with "We Found 3 Whistles" and then came out to do "All Nothing" for the encore.
Today I headed down to the St. Kilda Festival to catch The Good China playing the Main Stage on the beach. They won the opening slot by being voted best band on the New Music Stage at last year's festival. A small but enthusiastic crowd gathered to watch them play their half hour set. They started with a new song and then played one of my favorites "If Pain Persists." Other songs in the set included "No More Maps," "Turn The Page" and "All Nothing" (complete with hand claps). They finished off the day with a rousing rendition of "We Found Three Whistles" that had the crowd dancing. It was very exciting to see the band playing on the big stage, and I'm sure it would have been a huge thrill for them all. Since it was a fairly warm day and there weren't any other acts I was dying to see I headed back for home.
Last night Tash and I headed to The Empress Hotel to see The Good China play in support of their recently released EP Old Maps/New Roads. We had tickets to go to their EP launch in September, but were bad fans and went to see The Basics that night instead (sorry).
While we were eating dinner we could hear the opening band Oh, Deanna. After they finished we headed into the band room to watch Institut Polaire. They had a fairly mellow set mixed with old and new songs. It was good to hear "City Walls and Empires" which is such a great song. The Good China then took to the stage and played all the songs on their EP as well as a few new ones. My favorites for the evening were "If Pain Persists," "We Found 3 Whistles," and "All Nothing" (complete with hand claps). We even got a cover of The Cure's "Close To Me." It was good to see the Chinas again as they are always a fun and entertaining live band.
Last night Tash and I met up at The Evelyn for the first week of The Good China's July residency. It was an evening of multi-instrumental bands with a large number of members. Starting off the evening was Icicle Melts in their first ever live show. Unfortunately, it showed. The band was just trying too hard to be avant-garde and none of the three vocalists could actually sing- let alone harmonize together. It was all a bit painful. Thankfully next on the stage was Plastic Palace Alice, who were fantastic. They are such good musicians and may have the best rhythm section in Melbourne. They played a few new songs as well as their classic "Empire Falls." Their guitarist also had on an 80s inspired outfit and was quite entertaining.
The Good China started off their set with "A Million Little Pieces." They have been busy in the studio recording their debut EP and each week at the residency they are playing a new song. This week we got "No More Maps, No More Roads" which was a great song. I really liked the way they have changed up the rhythm on the chorus of "Perversion For Profit" and "All Nothing" was a highlight of the night (Tash and I did the hand claps). It was good to see the Chinas live again and hopefully I'll make it to another show of the residency this month.
Today Tash and I headed down to the St. Kilda Festival. Thankfully today's weather was much cooler than yesterday's horrific 46.4/115 degrees. We spent the majority of the afternoon at the Max Beach Concert stage. The first act we saw was Kate Miller-Heidke, a trained opera singer who has moved into pop music. As expected she has a very powerful voice and is a bit of an eccentric performer. She and her band did a rock opera version of John Farnham's "You're The Voice" and finished with her hit single "Can't Shake It" complete with dance moves.
Next up was Dan Sultan, a phenominally talented indigenous singer/songwriter. I was completely blown away by his voice, charisma on stage, and total mix of music styles- roots, soul, and a bit of country. Dan and his band had the soulful energy and showmanship of James Brown and at times it felt like a revival was taking place.. He's such an amazing talent and will just get bigger and bigger as more people hear and see him perform live.
After a bit of a walk around to check out the various booths and other attractions, we were treated to the 80's glam metal of The Galvatrons. Imagine the synthesizer part from Van Halen's "Jump" used over and over again in songs with metal riffs and you'll have some idea of how their set sounded. I'm sure the kids felt they were cool and relevant, but to me they sounded like they were trying too hard to be an 80's metal band and it was all just cliche and unintentionally laughable.
Our last band for the day was The Good China on the Air New Music stage. They drew a good-sized and enthusiastic crowd for their half-hour set. This was probably their biggest show to date, and both Tash and I were really happy that their following is growing steadily in Melbourne. They played another entertaining set and had the crowd clapping along to their closing song "All Nothing." We even managed to get The Good China badges, which were being handed out to the audience.
Last night Tash and I met at The Evelyn for the first night of Institut Polaire's residency. The first band for the evening was one of our favorite new Melbourne bands The Good China. They were down one member, but considering that meant there were still 8 people on stage you really didn't notice. There was already a decent sized crowd to see them, and they put on another energetic set of their uplifting songs.
The next band was The Summer Cats. Their set was one of the more bizarre ones I have ever seen. The whole thing felt like an indie band comedy skit with their intros and songs. Imagine an indie Mr G as the lead singer and you may have some idea of what we witnessed. It was just awkward.
Third on the bill was Seagull, who came on stage and played their whole set without introducing themselves once. A throwback to the best UK shoegaze bands, their atmospheric songs were both beautiful and confronting. Lead singer Chris Bolton used a looping petal on his guitar to build sonic soundscapes and his delicate vocals made the whole thing a bit of an abstract artistic statement. Seagull are definitely an interesting band and one to watch.
Finally it was time for the headliners Institut Polaire. Originally from Perth, all eight members of this musical collective have recently relocated to Melbourne. Their set consisted of songs from their first EP and the new album they are currently recording. "City Walls and Empires" was a definite highlight, and their music follows in the tradition of many great Australian pop bands.
Tonight Tash and I met at The Empress Hotel for an evening of music. The opening act was one Quang Dinh going under the moniker "Quang Goes Mangoes." He played solo with just an acoustic guitar for about a half-hour. It amazes me how prolific a songwriter Quang is as the songs he played were all new to me and didn't even draw on his Little Red or Hondas material. The guy has got talent and an ability to convey emotion through his lyrics and vocal range. It was nice to have a bit of a chat with him after his set (even if he was "toasted").
Next on the bill was The Box Rockets. They were pleasant and have a bit of an 80's British band sound to them. While enjoyable to listen to, their songs weren't really that memorable and blended together a bit. The headlining act for the night was The Good China in the first week of their residency at The Empress. The band is a group of 9 multi-instrumentalists, and they are a lot of fun and play very happy and uplifting music. Both Tash and I were impressed by them and how they rotated turns singing at the front of stage and swapping instruments for each song. You never knew what instrument would make an appearance next. It was a very democratic music collective! If you get a chance to catch them around Melbourne go for it- you won't be disappointed.
